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Stalag 17

Tonally, billy wilder’s prisoners of struggle tale is a true dramedy, fitting into an atypical submit-warfare space when american cinemagoers had been seemingly content material to giggle at the horrors faced by prisoners, even while being reminded of the deadly effects of incarceration, which were manifestly even more dire for victims of the holocaust.


It’s william holden who makes the movie click on and hum, portraying american airman sefton as a somewhat sleazy but smart profiteer who figures that if he’s going to spend time in a pow camp, he might as well be an enterprising large shot at the same time as he’s there, dwelling as conveniently as he can. In evaluation with a film just like the superb get away, which would later come alongside and inform a tale ringing with some of the same tropes, albeit without the screwball humorousness, stalag 17 is both an break out story and a light thriller, targeted across the identification of the german informant who is sabotaging each try by using the people to escape the camp and defy the germans. With a forged of colorful characters and precise-natured humor, stalag 17 by some means takes a bad premise and mines it for laughs greater correctly than one would have notion feasible.

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As is so frequently the case, it seems that queering the narrative changed into precisely what he needed to raise his film to the subsequent stage.

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